Unfortunately the table read for Episode 3 has been pushed back again. I'd like to take a moment to talk about disappointments and taking them in stride.
I was informed that people were dropping out of the read last minute for reasons here and there. Furthermore, the venue was going to become increasingly difficult to get to - as a result of cottage traffic. I made the executive decision five days before the reading to cancel it. I'm not going to lie, this is one of the first instances of discouragement and disappointment I've had to deal with on this project. For about 24 hours, I didn't take it that well.
I guess the message I'd like to take away from this cancellation is that everything can't go my way. I haven't put a lot on the line for this project. It's been more or less my baby. I feed and nurture it - but I'm afraid to let other people hold it, see it, etc.. The more people who see it increases the chances of being told that my baby isn't special, isn't beautiful, isn't the best baby in the world. The point of this industry isn't to create something that will transcend those comments - it's to take those comments and either pass them off as unwarranted, or learn from them. Either way, I think this was a lesson in taking criticism and disappointment in stride - and I don't feel like I completely failed or went off the deep end. That being said - there's always room for improvement.
Since then I've thought about ways to make the next dinner even more enjoyable and appealable. I think scheduling the dinner close to the end of the summer was difficult for the academics in my social circle to accomodate; furthermore, it can be difficult to get out to Barrie/Oro - especially on the weekends with traffic. I also admit I wasn't as prepared as I'd like to be for the dinner itself. It was going to come together very last minute.
So what have I been up to since the cancellation? Not a lot unfortunately. I've been spending about 3-4 hours a day at Rogers TV working master control for the First Local News. This is a different experience than videography, and something I think I enjoy a little less than camera work. The switchboard is fun - something I think that will hold relevance in my future work. I've also been learning VTR (which is like a fancy 5-deck VCR, with more controls) and audio. I don't take the opportunities I should to learn more about audio (the soundboard, microphones, etc), because its probably the most relevant skill I'd need to work on for the show.
A few weeks ago I'd asked a friend, L.B. to complete a little assignment for me on Ontario/Canada arts and small business grants. She'd sent me the file last week and I'd wanted to thank her in person before I mentioned it here; but thank you very much again, L.B..
Though I feel like there's a lot of work I'd personally like to dedicate to the show, there are obviously things that fall into the specialized fields of other people, and I'll never be able to complete the work as efficiently as they can. As I move closer and closer to production on Episode 1, I begin to realize just how many other people are going to be involved on this project. I talk a lot about starting "my" production company. Though it'll be mine in the sense that I started it, I have to become more comfortable that the production of the pilot won't belong to just me. In keeping with the baby metaphor - it takes a family to raise a baby. So far, I'm just a single parent.
There are some goals this month I'd like to meet and maybe I can start nailing them down post-by-post. I'm still aiming to have eight more posts this month, bringing the total to a record-setting ten. I'd like to have a concrete vision for the rescheduled table read. I'd like to have episode 5 finished and the dilemma on 5 and 6 resolved. I'd like to have begun applying for grants. I'd like to have selected a crew that's available to work. I'd like to track down a cost-friendly solution to studio-space and sets. I'd like to increase my twitter profile and get myself more attention on that venue.
I think what I'd ultimately like to happen this month is to make the ultimate decision of whether SOUNDTRACK will be my full-time job, or my part-time hobby. So far I've been leaning towards the latter, but a project this big deserves more than a recreationalist. It deserves a professional.
I'd like to close off by thanking everyone so much for their continued support, both on the project and on this blog. Thank you everyone who was planning on attending the table read, but had to drop out for various reasons. I'm not so infallible that I'm without emotional reaction - but I truly understand that things can't always come up Dustin.
I hope everyone's enjoying the changes in weather, the rest of their week and the summer that's coming to a close.
Showing posts with label Production. Show all posts
Showing posts with label Production. Show all posts
Wednesday, August 12, 2009
Sunday, July 26, 2009
Show Stuff and Thrice
I suppose it's been a little while since my last entry - but rest assured, the time has been spent productively.
Earlier this week, I sat down and crunched some numbers for production. It's going to cost me about $20, 000 to build the sets for Episode 1 and store them for a month. Three weeks will probably be dedicated towards construction alone, so I'll probably need the studio space for two months which brings it up to $25, 000.
I feel its a rather liberal number, but I researched market trends to give myself a fairly accurate estimate. To be honest that number also doesn't worry me. If I can pace prouction accordingly, I can budget costs based on when grants become available. The pilot has to be finished for June 2010 and I think that's absolutely doable at this point.
I was talking to a friend with a business degree, M.B., who's starting his own financial company in the next few weeks. We're going to talk later about how he can go about helping me start the production company - so I've found the only 'business consultant' I can afford. As boring as that paragraph sounds, it's actually very, very good news because I was admittedlty intimdated by this process as a whole. I realize that although I understand basic aspects of business, economics, etc., I am definitely not prepared to proceed into this alone. It pays to have good friends.
E.B. is writing Episode 4. He'll possibly be contributing a writing commentary when he's finished his work on the script. I hope it's going well for him, but there's not much more I can speak on about Episode 4, so you'll have to wait for E.B. on that one.
Meanwhile, I've also been writing Episode 5 - 'In Media Res'. This is perhaps going to be the funnest episode for me to write, because I haven't worked out a lot of the minutia of the plot so far. But I do find what I've already written has worked out very well and I'm happy with the spontaneity that I seem to be demonstrating in this particular script.
I'm by no means winging it - this has been the most important episode in the back of my head. This is the reveal of Lidless' intentions. Somewhat. I came up with my McGuffins today (a term referring to a plot piece created specifically to drive the plot forward), and I think it ties in perfectly with the world I've set up so far. I had never had a specific motivation for Lidless kidnapping Davis besides the obvious uses of his intellect - but a specific reason came into my head today that doesn't necessarily need to be revealed in the miniseries to still be satisfying.
This episode takes place almost entirely from the perspective of Eve's kidnappers and the people responsible for orhcestrating it. We see the levels of power that Lidless has influence in. We see the both the tenacity and consciences of her associates. Furthermore, the episode foreshadows a weakness in her precognitive abilities that won't be revealed until Episode 6's conclusion.
Though I try and keep the content Canadian on this blog, I'd like to talk about the latest Thrice album for a number of reasons.
Thrice is a foursome band from Irvine, California and broke onto the scene in 2001 with their debut album, Identity Crisis. They've managed to evolve their style from hard-rock to experimental and still maintain a devoted following. Their latest album, Beggars (2009) was recently leaked through a mishap over at Vagrant Records. The album leaked nearly three months early, and I'm sure was a devasting blow to not only the band, but the production team behind the album.
I'll be honest - I downloaded it and I'd like to give it a short review at the end, so if you're looking for that, scroll down.
Free downloading (I won't call it illegal because it is simply - not) has had a devasting impact on the CD industry. I say specifically the CD industry because I do believe the music industry as a whole is doing fine (recession considered). The point is, owning a CD has absolutely no physical value anymore. If I were to buy a CD, I'd only want it for the sentimental value it holds. I want 'that' CD. Adding incentives to purchase the CD that can't be provided through the internet is what will revive the recording industry - which is exactly what Thrice will be doing with their latest album.
The album will see a digital release on August 11th through iTunes, shifting from its original release date of October 13th. Their statement was somewhere along the lines of 'releasing a CD earlier than planned is easy, changing a marketing strategy isn't'. Thus the band is going to release the album with bonus extras that would not be available through the promotional leak on its intended release date.
I was going to buy the album anyway. Thrice is one of those bands that I liked to own the CD, I don't have many of those but I definitely have a sentimental attachment with actually owning those albums. Seeing it on a computer screen isn't enough for me. I probably won't even listen to the CD itself, but I just like to have it. The record industry will survive on that alone - it will just reform into a smaller market. Movies hated TV, Radio had cassettes - media changes - get over it. Go make money off your Blu-Ray concerts, Rock-Bands and Ring-Tunes - all products established well after the internet caused damage to falling record sales. Thank you for waiting until your money was at risk to get innovative.
The fact is, and I could expand on this for far too long, so I'll keep it short; the increasing availability of affordable recording equipment is ending the record industry - not the internet. Thrice recorded this album in the basement recording studio of guitarist, Teppei Teranishi, largely on instruments that they constructed by hand. There is no problem with the music industry, there is only a solution - it's called artist independence and its happening more every day.
But alas, the album - reviewed.
Though its hard to say where Thrice peaked so far, I think the last album I was genuinely enthusiastic about was Artist in the Ambulance (2003). Vhessiu (2004), and The Alchemy Indexes I-IV (2008) were excellent demonstrations of their talent for creating refined music - but it had lost that hard rock feel. They didn't have many 'rocking out' opportunities.
Thrice returns to their hard-rock roots with three albums' worth of melodic experimental music behind them - combining the two for one of the most innovative, yet solid rock albums of the 21st century. The shear talent this band represents is just ridiculous compared to other bands that are gaining exposure these days. This album brings some of the most elegant, industrial notes a guitar can produce and finds them in a home in a rock album that is as bar-setting as it is purely enjoyable.
Of note, the tracks, All the World is Mad, The Weight, Circles, At the Last, In Exile, Talking Through Glass and Beggars are worth checking out even if you're not familiar with the band. So check out Beggars (2009) and hopefully introduce yourself to a band that's continued to impress for nearly a decade.
Hope everyone had a good weekend, and that you enjoyed this monster of a post!
P.S. I met someone this weekend who thought Thrice would be a more appropriate boys name than Thrace. I've been put in a quandry.
Earlier this week, I sat down and crunched some numbers for production. It's going to cost me about $20, 000 to build the sets for Episode 1 and store them for a month. Three weeks will probably be dedicated towards construction alone, so I'll probably need the studio space for two months which brings it up to $25, 000.
I feel its a rather liberal number, but I researched market trends to give myself a fairly accurate estimate. To be honest that number also doesn't worry me. If I can pace prouction accordingly, I can budget costs based on when grants become available. The pilot has to be finished for June 2010 and I think that's absolutely doable at this point.
I was talking to a friend with a business degree, M.B., who's starting his own financial company in the next few weeks. We're going to talk later about how he can go about helping me start the production company - so I've found the only 'business consultant' I can afford. As boring as that paragraph sounds, it's actually very, very good news because I was admittedlty intimdated by this process as a whole. I realize that although I understand basic aspects of business, economics, etc., I am definitely not prepared to proceed into this alone. It pays to have good friends.
E.B. is writing Episode 4. He'll possibly be contributing a writing commentary when he's finished his work on the script. I hope it's going well for him, but there's not much more I can speak on about Episode 4, so you'll have to wait for E.B. on that one.
Meanwhile, I've also been writing Episode 5 - 'In Media Res'. This is perhaps going to be the funnest episode for me to write, because I haven't worked out a lot of the minutia of the plot so far. But I do find what I've already written has worked out very well and I'm happy with the spontaneity that I seem to be demonstrating in this particular script.
I'm by no means winging it - this has been the most important episode in the back of my head. This is the reveal of Lidless' intentions. Somewhat. I came up with my McGuffins today (a term referring to a plot piece created specifically to drive the plot forward), and I think it ties in perfectly with the world I've set up so far. I had never had a specific motivation for Lidless kidnapping Davis besides the obvious uses of his intellect - but a specific reason came into my head today that doesn't necessarily need to be revealed in the miniseries to still be satisfying.
This episode takes place almost entirely from the perspective of Eve's kidnappers and the people responsible for orhcestrating it. We see the levels of power that Lidless has influence in. We see the both the tenacity and consciences of her associates. Furthermore, the episode foreshadows a weakness in her precognitive abilities that won't be revealed until Episode 6's conclusion.
Though I try and keep the content Canadian on this blog, I'd like to talk about the latest Thrice album for a number of reasons.
Thrice is a foursome band from Irvine, California and broke onto the scene in 2001 with their debut album, Identity Crisis. They've managed to evolve their style from hard-rock to experimental and still maintain a devoted following. Their latest album, Beggars (2009) was recently leaked through a mishap over at Vagrant Records. The album leaked nearly three months early, and I'm sure was a devasting blow to not only the band, but the production team behind the album.
I'll be honest - I downloaded it and I'd like to give it a short review at the end, so if you're looking for that, scroll down.
Free downloading (I won't call it illegal because it is simply - not) has had a devasting impact on the CD industry. I say specifically the CD industry because I do believe the music industry as a whole is doing fine (recession considered). The point is, owning a CD has absolutely no physical value anymore. If I were to buy a CD, I'd only want it for the sentimental value it holds. I want 'that' CD. Adding incentives to purchase the CD that can't be provided through the internet is what will revive the recording industry - which is exactly what Thrice will be doing with their latest album.
The album will see a digital release on August 11th through iTunes, shifting from its original release date of October 13th. Their statement was somewhere along the lines of 'releasing a CD earlier than planned is easy, changing a marketing strategy isn't'. Thus the band is going to release the album with bonus extras that would not be available through the promotional leak on its intended release date.
I was going to buy the album anyway. Thrice is one of those bands that I liked to own the CD, I don't have many of those but I definitely have a sentimental attachment with actually owning those albums. Seeing it on a computer screen isn't enough for me. I probably won't even listen to the CD itself, but I just like to have it. The record industry will survive on that alone - it will just reform into a smaller market. Movies hated TV, Radio had cassettes - media changes - get over it. Go make money off your Blu-Ray concerts, Rock-Bands and Ring-Tunes - all products established well after the internet caused damage to falling record sales. Thank you for waiting until your money was at risk to get innovative.
The fact is, and I could expand on this for far too long, so I'll keep it short; the increasing availability of affordable recording equipment is ending the record industry - not the internet. Thrice recorded this album in the basement recording studio of guitarist, Teppei Teranishi, largely on instruments that they constructed by hand. There is no problem with the music industry, there is only a solution - it's called artist independence and its happening more every day.
But alas, the album - reviewed.
Though its hard to say where Thrice peaked so far, I think the last album I was genuinely enthusiastic about was Artist in the Ambulance (2003). Vhessiu (2004), and The Alchemy Indexes I-IV (2008) were excellent demonstrations of their talent for creating refined music - but it had lost that hard rock feel. They didn't have many 'rocking out' opportunities.
Thrice returns to their hard-rock roots with three albums' worth of melodic experimental music behind them - combining the two for one of the most innovative, yet solid rock albums of the 21st century. The shear talent this band represents is just ridiculous compared to other bands that are gaining exposure these days. This album brings some of the most elegant, industrial notes a guitar can produce and finds them in a home in a rock album that is as bar-setting as it is purely enjoyable.
Of note, the tracks, All the World is Mad, The Weight, Circles, At the Last, In Exile, Talking Through Glass and Beggars are worth checking out even if you're not familiar with the band. So check out Beggars (2009) and hopefully introduce yourself to a band that's continued to impress for nearly a decade.
Hope everyone had a good weekend, and that you enjoyed this monster of a post!
P.S. I met someone this weekend who thought Thrice would be a more appropriate boys name than Thrace. I've been put in a quandry.
Sunday, May 31, 2009
Yesterday's grant seminar was kind of useless. The instructor was well-informed and made a solid effort to reach out to us, but the substance of the presentation was lacking. What was supposed to be a three-hour seminar on how to apply for Barrie Arts Council Grants turned into a two-hour course on how to write a pitch and a one-hour networking event. Though informative, I just didn't take anything out of the seminar.
I don't know which way I'm going to branch out here. There's some Barrie stuff that's been on my mind for a while - so I think I'd like to take the opportunity to talk about some of that.
Barrie has been petetioning to annex several thousand acres of land from the township of Innisfil. Here's some background between the two. Several years ago, Barrie Raceway came upon an opportunity to put slot machines in its establishment, but the Barrie Agricultural Society decided they didn't want gambling in their city (you know, because they weren't already gambling on horses to begin with). Innisfil then built their own raceway and put slot machines in them - the whole thing has been a great success. That money doesn't go solely to the township of Innisfil, it's distributed through the entire county of Simcoe, of which Barrie and Orillia are independent municipalities of. Barrie WILL claim the slots as their own. Furthermore, taxes of current Innisfil residents will go up significantly if their land is annexed by Barrie.
Barrie's a great city. There's little crime, there's nothing you 'need' to go to Toronto for (except work) and it's generally friendly enough. But when I grew up, Barrie had 30, 000 residents and Bayfield Street was the economic centre of the city. 20 years and 120, 000 residents later, the city hasn't changed much. Bayfield street is still a mess, Mapleview Drive(formerly Molson Park Drive) is even worse, the downtown has been under construction for the last four years and isn't showing any signs of slowing down. Park Place (formlerly Molson Park) was once a lucious green park which was as pleasant to be in as it was to look at driving by. Now access is restricted and it looks like a land transplant from Afghanistan. It's a fucking desert. What an eye sore.
The fact that Barrie's only jobs are based on public service, retail and construction is just sad. Where are the businesses, Barrie? Why force the people to go to the jobs, instead of bringing the jobs to the people, like a REGULAR CITY? It doesn't help that the education centre of Barrie is a college. We stand alone as one of Canada's largest cities without a university. Simcoe University sounds awesome if you ask me. Universities bring minds. Colleges bring lazy people who want to stay at home. I know that sounds callous, but the fact is, Laurentian at Georgian is not a university, it's university courses at a college. It's designed FOR people who want to stay in Barrie - it's a community college. That's the purpose. Establishing a university would bring great minds to Barrie, who will start great things in Barrie.
To bring this back to film, I pose this question; do you seriously think I could film Soundtrack in this city? I want to. There are parts I perhaps could. But nothing from my production company will be coming from any Barrie busineses. There's nothing alluring about filming here in Barrie besides convenience for myself. The fact is, the resources and people for this job are in Toronto, and I have to go to them.
So why should Barrie get more land, when it's been proven that it hasn't had a spectacular track-record using it in the past? I'm not saying Barrie shouldn't get the land - I'm just saying I'd like to see the land used a little bit more appropriately this time around. Building cheap houses side-by-side and strip-malls everywhere is not the way to do this. Set some cheap land aside for some businesses or industry to come in, get some preliminary plans for a university. Do what I say! roar.
I don't know which way I'm going to branch out here. There's some Barrie stuff that's been on my mind for a while - so I think I'd like to take the opportunity to talk about some of that.
Barrie has been petetioning to annex several thousand acres of land from the township of Innisfil. Here's some background between the two. Several years ago, Barrie Raceway came upon an opportunity to put slot machines in its establishment, but the Barrie Agricultural Society decided they didn't want gambling in their city (you know, because they weren't already gambling on horses to begin with). Innisfil then built their own raceway and put slot machines in them - the whole thing has been a great success. That money doesn't go solely to the township of Innisfil, it's distributed through the entire county of Simcoe, of which Barrie and Orillia are independent municipalities of. Barrie WILL claim the slots as their own. Furthermore, taxes of current Innisfil residents will go up significantly if their land is annexed by Barrie.
Barrie's a great city. There's little crime, there's nothing you 'need' to go to Toronto for (except work) and it's generally friendly enough. But when I grew up, Barrie had 30, 000 residents and Bayfield Street was the economic centre of the city. 20 years and 120, 000 residents later, the city hasn't changed much. Bayfield street is still a mess, Mapleview Drive(formerly Molson Park Drive) is even worse, the downtown has been under construction for the last four years and isn't showing any signs of slowing down. Park Place (formlerly Molson Park) was once a lucious green park which was as pleasant to be in as it was to look at driving by. Now access is restricted and it looks like a land transplant from Afghanistan. It's a fucking desert. What an eye sore.
The fact that Barrie's only jobs are based on public service, retail and construction is just sad. Where are the businesses, Barrie? Why force the people to go to the jobs, instead of bringing the jobs to the people, like a REGULAR CITY? It doesn't help that the education centre of Barrie is a college. We stand alone as one of Canada's largest cities without a university. Simcoe University sounds awesome if you ask me. Universities bring minds. Colleges bring lazy people who want to stay at home. I know that sounds callous, but the fact is, Laurentian at Georgian is not a university, it's university courses at a college. It's designed FOR people who want to stay in Barrie - it's a community college. That's the purpose. Establishing a university would bring great minds to Barrie, who will start great things in Barrie.
To bring this back to film, I pose this question; do you seriously think I could film Soundtrack in this city? I want to. There are parts I perhaps could. But nothing from my production company will be coming from any Barrie busineses. There's nothing alluring about filming here in Barrie besides convenience for myself. The fact is, the resources and people for this job are in Toronto, and I have to go to them.
So why should Barrie get more land, when it's been proven that it hasn't had a spectacular track-record using it in the past? I'm not saying Barrie shouldn't get the land - I'm just saying I'd like to see the land used a little bit more appropriately this time around. Building cheap houses side-by-side and strip-malls everywhere is not the way to do this. Set some cheap land aside for some businesses or industry to come in, get some preliminary plans for a university. Do what I say! roar.
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