I had wanted to speak of this earlier, but I had to have a personal conversation with E.B. before I made it public. I obviously wanted him to hear it from me instead of through here, or from another friend. The good news is; he's fully supportive of my decision. The better news is; I'm almost half-way done the first draft of Episode IV.
I've renamed the episode, changing its direction dramatically. It was previously titled "Nostos", which comes from the Greek for a return journey in a story. The episode was meant to be about Derek's return to Toronto to face the consequences of all that had happened and prepare himself for the trials ahead. I've abandoned the need for him to return to Toronto to accomplish those things.
The episode is now titled "Burn the Fleet", which is a song by Thrice, but inspired by the story of Hernan Cortes. Cortes was a Spanish explorer who first travelled to what is now Haiti as a teen and gained favour with the local governors. After amassing a small personal wealth, Cortes sought to travel to Cuba and Mexico, but his personal relationship with the governors was waning. He disobeyed orders to travel Mexico and was labelled a mutineer. Aware of his situation, he ordered the ships his crew had arrived in destroyed to rally his men to arms. What followed was one of the most bloody and well-fought campaigns of the Spanish Inquisition, leading to the acquisition of much land in the Mayan-held Yucatan Peninsula.
While Derek isn't going to burn Riley's van to the ground to motivate his crew, it illustrates the desperation of his cause. With the entire band fugitives labelled from the law, the hopelessness of their situation is what drives them forward. There is no turning back for them. Their return journey can not happen yet. This puts the crew on a roadtrip East to St. John's, Newfoundland, seeking evidence against conspiracy mastermind, Danielle Parsons.
The plot in Toronto hasn't been abandoned. Episode III saw the beginning of the alliance between Derek and Dana Steele, Nathan Davis' former partner. With someone on the inside of the investigation, Derek manages to stay one step ahead. Furthermore, safely inside the city, Steele can attend to the things Derek can not - including warning Eveleigh Dawn to leave town.
With the police closing in on both Derek and Eveleigh, Steele races against the clock to get Eve to safety before she's caught by Parsons' agents.
The episode is flowing wonderfully so far. I've struggled with starting Episode V without a concrete ending to IV. The dialogue is flowing naturally and the situation with the main crew confined to the van for most of the episode provides an excellent opportunity for the viewer to get to know these characters. Episodes III and VI have higher budgets, but this episode requires few sets, and no special effects or fight choreography - thus, its a necessary cheapy.
With the characters firmly established, this is essentially the time to switch gears, allow for some character interaction and let background characters take the reigns for a while. Though never the intention, this is turning out to be Steele's episode - and I think it's absolutely perfect that it merged in this direction. Steele's not necessarily going to make it to the very end of the series, but her contributions to the story are going to be some of the more important ones of any character besides Derek and Danielle Parsons.
There have been lots of jobs popping up on media job search canada so I'm remaining optimistic about finding a full-time position in a reputable production company. Keep your fingers crossed for me!
Winter's approaching fast and I'm living in denial. It's hard to face the fact that it's just going to get colder and darker from here on out. Here's looking forward to March. I hope you're all having a great week, and I'll be talking to you all soon!
Showing posts with label Episode 6. Show all posts
Showing posts with label Episode 6. Show all posts
Monday, October 26, 2009
Friday, October 23, 2009
Ready Three, Take Three
You say the title of this post a lot when you direct a show - which I've been doing a lot of lately. It's pretty fun, though a little overwhelming. It requires a tremendous amount of concentration and the ability to hear selectively. You also have to communicate with a team of about six people. Some of the people at Rogers TV make it look easy, but trust me, it's not. I now have a new found respect for directors.
I've been doing quite a bit of writing on Episodes 4 and 5 but their progress isn't coming along nearly as fast as 1 through 3's. I feel like I have something to explain there. I didn't just sit down one day and write the script for an idea I had. It came from a tremendous amount of scribbles and notes. The first three episodes exist in pencil and paper form dating back to April of 2008. Episode 6 is rather fleshed out as well, but these two bridging episodes were always pretty vague. It's taken me a lot of time to try and formulate something that would be a substantial contribution but also allows for me to connect the first three episodes to the finale. The finale is what conceived the idea of Soundtrack and everything before that is just the path. Episode 5 has its direction, but it doesn't have the substance yet to be anything but a bridge right now. It needs work. Needless to say, there now exists a large pile of paper notes that detail the progression of Episode 5.
An idea I've been struggling with lately is the concept of freedom. What is true freedom? Are we really free to do whatever we want? Though it wasn't my deliberate intention to do so, I feel like this theme is very present in Soundtrack. Riley and Cain both struggle with the notion to be free. Riley eventually has to deal with the fallout of her adventure with Derek in her personal life. Cain, though a powerful man, wasn't free to do whatever he wanted and now has to deal with the consequences of his new found self-liberation. Does freedom always come with a cost? Hunter S. Thompson said that without the freedom to commit suicide at any time, he would always feel trapped. He later committed suicide in his study with his family in the next room.
Danielle Parsons/Lidless represents the other side to this argument. Through clairvoyance, she yields to determinism and makes no attempts to stop things from happening - only turning them to her advantage. Following determinism, Parsons has found herself within reach of becoming Prime Minister, while Rhett, walking the free path, is slipping into the underworld of his city.
To be honest, I think it was great to find this unintentional theme in the subtext of the show. In episodes 4, 5 and 6, the characters are going to have to face the decisions they have made so far. I'm hoping that it will feel like an honest transition when some of these characters resolve to change the way they're living.
Anyway, a friend of mine is leaving for the West coast tonight so we're having a goodbye party for her. I hope you all have great weekends and don't let the bad weather get you down.
Dustin
I've been doing quite a bit of writing on Episodes 4 and 5 but their progress isn't coming along nearly as fast as 1 through 3's. I feel like I have something to explain there. I didn't just sit down one day and write the script for an idea I had. It came from a tremendous amount of scribbles and notes. The first three episodes exist in pencil and paper form dating back to April of 2008. Episode 6 is rather fleshed out as well, but these two bridging episodes were always pretty vague. It's taken me a lot of time to try and formulate something that would be a substantial contribution but also allows for me to connect the first three episodes to the finale. The finale is what conceived the idea of Soundtrack and everything before that is just the path. Episode 5 has its direction, but it doesn't have the substance yet to be anything but a bridge right now. It needs work. Needless to say, there now exists a large pile of paper notes that detail the progression of Episode 5.
An idea I've been struggling with lately is the concept of freedom. What is true freedom? Are we really free to do whatever we want? Though it wasn't my deliberate intention to do so, I feel like this theme is very present in Soundtrack. Riley and Cain both struggle with the notion to be free. Riley eventually has to deal with the fallout of her adventure with Derek in her personal life. Cain, though a powerful man, wasn't free to do whatever he wanted and now has to deal with the consequences of his new found self-liberation. Does freedom always come with a cost? Hunter S. Thompson said that without the freedom to commit suicide at any time, he would always feel trapped. He later committed suicide in his study with his family in the next room.
Danielle Parsons/Lidless represents the other side to this argument. Through clairvoyance, she yields to determinism and makes no attempts to stop things from happening - only turning them to her advantage. Following determinism, Parsons has found herself within reach of becoming Prime Minister, while Rhett, walking the free path, is slipping into the underworld of his city.
To be honest, I think it was great to find this unintentional theme in the subtext of the show. In episodes 4, 5 and 6, the characters are going to have to face the decisions they have made so far. I'm hoping that it will feel like an honest transition when some of these characters resolve to change the way they're living.
Anyway, a friend of mine is leaving for the West coast tonight so we're having a goodbye party for her. I hope you all have great weekends and don't let the bad weather get you down.
Dustin
Monday, August 17, 2009
The Action Scene
Lights, Camera... Action?
I've been taking some time to script out some of the more intricate action scenes from the miniseries finale, Episode 6.
Episode 6 has always been a series of action scenes linked together by the narrative established by the previous 5 episodes. The first 5 episodes are meant to explain Rhett's evolution from Derek to Soundtrack and the motivations of his band for staying with him. While Derek Rhett is the main character for episodes 1-5, Soundtrack is the main character of Episode 6.
Most action scenes are typically written and choreographed by, well, a stunt/fight choreographer. Here in Dustin Bell land, I try to do things as cheaply and cut-cornerly as possible.
I've had the songs for the final episode picked out for some time. I've even had action scenes that synched up to those songs envisioned in my head for some time. But I have been finding it extremely difficult to put pen-to-paper and make these scenes more than just a vision. I've been encountering problems in making these scenes seem fluid, essential and entertaining.
I've gotten about ten pages of action scenes worked out for the final episode. Though the vision for the final fight had always been on top of two city sky-scrappers - the realities of shooting a scene like that began to sink in and I had to think of possible alternatives. The only alternative that I really liked was a showdown at a small airport (which just happens to exist in Oro-Medonte!), but I couldn't find a way to incorporate the shot that sets off the epilogue of the series. What I'm left with is two good ideas for the final fight, one with creative flaws and one with production flaws. There's a solution somewhere in the middle of this problem.
I've been running through episode titles for Episode 6. There's a few I really liked;
i. We Stand On Guard (For Thee); This is the main one I liked. One, it's the last phrase in "O' Canada" which I think would make an awesome title. Two, it describes the destination Derek's arrived at in his rivalry with Danielle Parsons. Three, the first episode title is "For Whom the Bell Tolls", which was taken from both an Ernest Hemmingway novel and a 17th century poem by John Donne, which ends in "For Thee". Finally, the pronoun in the title is "We", which doesn't just refer to Derek, but to Riley, Cain, Eddie and Steele who have taken on Derek's cause and given him the encouragement he needs to succeed.
ii. We Stand On Guard; For all the same reasons I liked number one, except that it's shorter and carries the more connotative and ambiguous meaning that Derek has merely become a super hero who will protect... all things that need protecting. It's the less political title of the two.
iii. For Thee; Again, the last words of "O' Canada", the last words of John Donne's "For Whom the Bell Tolls" and a reference to why Derek fights. This episode finds Derek in the center of a hornet's test to rescue Eve. Though Derek will eventually fight for preservation of what is Canada, it is Eve who sets him down this path and thus the entire series has been from Derek to Eve, "For Thee".
Send me your input on which one you like the most, or any other title suggestions you may have!
I mentioned above that I've already picked out the songs I'd like to use for Episode 6, regardless of its title, and just to satisfy your curiosity, I'd like to list them;
Tegan and Sara - The Con (The Con, 2007)
Moneen - Don't Ever Tell Locke What He Can't Do (The Red Tree, 2006)
Metric - Gold, Guns, Girls (Fantasies, 2009)
Matthew Good Band - Indestructible (Underdogs, 1997)
The Constantines - On to You (Shines a Light, 2003)
Wintersleep - The Archeologist (Welcome to the Night Sky, 2007)
and maybe
Joel Plaskett - Extraordinary (Truthfully, Truthfully, 2003)
Hope that's enough to interest you in what Episode 6, and in a sense, the whole miniseries will shape out to be. I can't express enough how excited I am to tackle Episode 6 in its entirety, but for now, I'll continue with Episode 5 and give you updates whenever I can.
I had a pretty lousy day today, but it was Monday, so what can you expect? Here's a link to a cheesey band who doesn't realize it's not 1980 anymore - but that doesn't mean the song isn't awesome and relevant to my optimism. Except its a crappy live version - so DEAL WITH IT.
Peace and love ya'll.
I've been taking some time to script out some of the more intricate action scenes from the miniseries finale, Episode 6.
Episode 6 has always been a series of action scenes linked together by the narrative established by the previous 5 episodes. The first 5 episodes are meant to explain Rhett's evolution from Derek to Soundtrack and the motivations of his band for staying with him. While Derek Rhett is the main character for episodes 1-5, Soundtrack is the main character of Episode 6.
Most action scenes are typically written and choreographed by, well, a stunt/fight choreographer. Here in Dustin Bell land, I try to do things as cheaply and cut-cornerly as possible.
I've had the songs for the final episode picked out for some time. I've even had action scenes that synched up to those songs envisioned in my head for some time. But I have been finding it extremely difficult to put pen-to-paper and make these scenes more than just a vision. I've been encountering problems in making these scenes seem fluid, essential and entertaining.
I've gotten about ten pages of action scenes worked out for the final episode. Though the vision for the final fight had always been on top of two city sky-scrappers - the realities of shooting a scene like that began to sink in and I had to think of possible alternatives. The only alternative that I really liked was a showdown at a small airport (which just happens to exist in Oro-Medonte!), but I couldn't find a way to incorporate the shot that sets off the epilogue of the series. What I'm left with is two good ideas for the final fight, one with creative flaws and one with production flaws. There's a solution somewhere in the middle of this problem.
I've been running through episode titles for Episode 6. There's a few I really liked;
i. We Stand On Guard (For Thee); This is the main one I liked. One, it's the last phrase in "O' Canada" which I think would make an awesome title. Two, it describes the destination Derek's arrived at in his rivalry with Danielle Parsons. Three, the first episode title is "For Whom the Bell Tolls", which was taken from both an Ernest Hemmingway novel and a 17th century poem by John Donne, which ends in "For Thee". Finally, the pronoun in the title is "We", which doesn't just refer to Derek, but to Riley, Cain, Eddie and Steele who have taken on Derek's cause and given him the encouragement he needs to succeed.
ii. We Stand On Guard; For all the same reasons I liked number one, except that it's shorter and carries the more connotative and ambiguous meaning that Derek has merely become a super hero who will protect... all things that need protecting. It's the less political title of the two.
iii. For Thee; Again, the last words of "O' Canada", the last words of John Donne's "For Whom the Bell Tolls" and a reference to why Derek fights. This episode finds Derek in the center of a hornet's test to rescue Eve. Though Derek will eventually fight for preservation of what is Canada, it is Eve who sets him down this path and thus the entire series has been from Derek to Eve, "For Thee".
Send me your input on which one you like the most, or any other title suggestions you may have!
I mentioned above that I've already picked out the songs I'd like to use for Episode 6, regardless of its title, and just to satisfy your curiosity, I'd like to list them;
Tegan and Sara - The Con (The Con, 2007)
Moneen - Don't Ever Tell Locke What He Can't Do (The Red Tree, 2006)
Metric - Gold, Guns, Girls (Fantasies, 2009)
Matthew Good Band - Indestructible (Underdogs, 1997)
The Constantines - On to You (Shines a Light, 2003)
Wintersleep - The Archeologist (Welcome to the Night Sky, 2007)
and maybe
Joel Plaskett - Extraordinary (Truthfully, Truthfully, 2003)
Hope that's enough to interest you in what Episode 6, and in a sense, the whole miniseries will shape out to be. I can't express enough how excited I am to tackle Episode 6 in its entirety, but for now, I'll continue with Episode 5 and give you updates whenever I can.
I had a pretty lousy day today, but it was Monday, so what can you expect? Here's a link to a cheesey band who doesn't realize it's not 1980 anymore - but that doesn't mean the song isn't awesome and relevant to my optimism. Except its a crappy live version - so DEAL WITH IT.
Peace and love ya'll.
Saturday, August 8, 2009
The Watchmaker
It's already August 9th; the table read for Episode 3 is this coming Saturday and this week is all about getting that prepared.
I'll be reviewing the script tomorrow through Tuesday, getting final numbers for attendance and then getting prepared for the dinner itself later in the week. Believe it or not this is going to be a ... long week.
I've been filming a bit more for Rogers TV recently. Saw the Barrie Baycats beat Kitchener and move on to the Intercounty Baseball Semi-Finals. Also did a Celebrate the County shoot in Heritage Park. Apparently Barrie has a small Carribana festival, and a steele drum band was playing in the park. It's actually quite a nice area and depending on how the footage is edited, you might see one of the better-kept areas of Barrie. I believe it's on Saturdays at 5pm on Rogers TV, which is channels 10 and 53 on cable. Barrie OHL starts up soon too, and I think there would be something challenging about filming hockey, so I'm excited to be signing up for that. Plus, it gets me into every Barrie Colts home game this season.
I've been writing Episode 5 lately, and have been wrestling with the idea of combining Episodes 5 and 6 together. I'm not confidant that I have enough material to actually make a 45 page script for Episode 6, but I'm sure that overlapping the plots of both would come out to longer than 45 minutes. It's actually been quite the dilemma that hasn't exactly been resolved.
Episode 5 is coming along great so far. It's the first opportunity I've had to characterize Danielle 'Lidless' Parsons as a tragic villain. I had always intended to her to be ruthless, yet sympathetic. Furthermore, the 'plot' of the show has always been about her political machinations, which are revealed in Episode 5. Though it's fun to write, there's also some critical thinking that has to go into this script that isn't exactly present in its predecessors.
Been doing some local travelling lately; was up in the Blue Mountains last weekend and managed to catch the sunrise from a particularly nice view. Was also doing some very-local sight-seeing at the Lake Simcoe Regional Airport, located in Oro-Medonte. I mention these because I think there's a lot of potential in showing the natural resources of this area in the show. Though there's plenty of shows filmed in and around this area, very few shows take place here. I think it would be fun to try and incorporate the Blue Mountains into the narrative of the show somehow, maybe further down the line, just to have an excuse to go out and film there.
I had intended to have August be my big month for blogging, but in full compliance with the law of economics, as a recently laid-off individual, I enjoy spending money I don't have on things I don't need. This involves a lot of unproductive days. I'll do my best to get a full eight blogs out over the next 23 days and see if I can't make that goal of having August be the most productive month for the blog.
Think that's gonna wrap things up for tonight. Hope you all had good weekends despite the return of the wet weather.
I'll be reviewing the script tomorrow through Tuesday, getting final numbers for attendance and then getting prepared for the dinner itself later in the week. Believe it or not this is going to be a ... long week.
I've been filming a bit more for Rogers TV recently. Saw the Barrie Baycats beat Kitchener and move on to the Intercounty Baseball Semi-Finals. Also did a Celebrate the County shoot in Heritage Park. Apparently Barrie has a small Carribana festival, and a steele drum band was playing in the park. It's actually quite a nice area and depending on how the footage is edited, you might see one of the better-kept areas of Barrie. I believe it's on Saturdays at 5pm on Rogers TV, which is channels 10 and 53 on cable. Barrie OHL starts up soon too, and I think there would be something challenging about filming hockey, so I'm excited to be signing up for that. Plus, it gets me into every Barrie Colts home game this season.
I've been writing Episode 5 lately, and have been wrestling with the idea of combining Episodes 5 and 6 together. I'm not confidant that I have enough material to actually make a 45 page script for Episode 6, but I'm sure that overlapping the plots of both would come out to longer than 45 minutes. It's actually been quite the dilemma that hasn't exactly been resolved.
Episode 5 is coming along great so far. It's the first opportunity I've had to characterize Danielle 'Lidless' Parsons as a tragic villain. I had always intended to her to be ruthless, yet sympathetic. Furthermore, the 'plot' of the show has always been about her political machinations, which are revealed in Episode 5. Though it's fun to write, there's also some critical thinking that has to go into this script that isn't exactly present in its predecessors.
Been doing some local travelling lately; was up in the Blue Mountains last weekend and managed to catch the sunrise from a particularly nice view. Was also doing some very-local sight-seeing at the Lake Simcoe Regional Airport, located in Oro-Medonte. I mention these because I think there's a lot of potential in showing the natural resources of this area in the show. Though there's plenty of shows filmed in and around this area, very few shows take place here. I think it would be fun to try and incorporate the Blue Mountains into the narrative of the show somehow, maybe further down the line, just to have an excuse to go out and film there.
I had intended to have August be my big month for blogging, but in full compliance with the law of economics, as a recently laid-off individual, I enjoy spending money I don't have on things I don't need. This involves a lot of unproductive days. I'll do my best to get a full eight blogs out over the next 23 days and see if I can't make that goal of having August be the most productive month for the blog.
Think that's gonna wrap things up for tonight. Hope you all had good weekends despite the return of the wet weather.
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