Good Morning, Canada!

I had wanted to speak of this earlier, but I had to have a personal conversation with E.B. before I made it public. I obviously wanted him to hear it from me instead of through here, or from another friend. The good news is; he's fully supportive of my decision. The better news is; I'm almost half-way done the first draft of Episode IV.

I've renamed the episode, changing its direction dramatically. It was previously titled "Nostos", which comes from the Greek for a return journey in a story. The episode was meant to be about Derek's return to Toronto to face the consequences of all that had happened and prepare himself for the trials ahead. I've abandoned the need for him to return to Toronto to accomplish those things.

The episode is now titled "Burn the Fleet", which is a song by Thrice, but inspired by the story of Hernan Cortes. Cortes was a Spanish explorer who first travelled to what is now Haiti as a teen and gained favour with the local governors. After amassing a small personal wealth, Cortes sought to travel to Cuba and Mexico, but his personal relationship with the governors was waning. He disobeyed orders to travel Mexico and was labelled a mutineer. Aware of his situation, he ordered the ships his crew had arrived in destroyed to rally his men to arms. What followed was one of the most bloody and well-fought campaigns of the Spanish Inquisition, leading to the acquisition of much land in the Mayan-held Yucatan Peninsula.

While Derek isn't going to burn Riley's van to the ground to motivate his crew, it illustrates the desperation of his cause. With the entire band fugitives labelled from the law, the hopelessness of their situation is what drives them forward. There is no turning back for them. Their return journey can not happen yet. This puts the crew on a roadtrip East to St. John's, Newfoundland, seeking evidence against conspiracy mastermind, Danielle Parsons.

The plot in Toronto hasn't been abandoned. Episode III saw the beginning of the alliance between Derek and Dana Steele, Nathan Davis' former partner. With someone on the inside of the investigation, Derek manages to stay one step ahead. Furthermore, safely inside the city, Steele can attend to the things Derek can not - including warning Eveleigh Dawn to leave town.

With the police closing in on both Derek and Eveleigh, Steele races against the clock to get Eve to safety before she's caught by Parsons' agents.

The episode is flowing wonderfully so far. I've struggled with starting Episode V without a concrete ending to IV. The dialogue is flowing naturally and the situation with the main crew confined to the van for most of the episode provides an excellent opportunity for the viewer to get to know these characters. Episodes III and VI have higher budgets, but this episode requires few sets, and no special effects or fight choreography - thus, its a necessary cheapy.

With the characters firmly established, this is essentially the time to switch gears, allow for some character interaction and let background characters take the reigns for a while. Though never the intention, this is turning out to be Steele's episode - and I think it's absolutely perfect that it merged in this direction. Steele's not necessarily going to make it to the very end of the series, but her contributions to the story are going to be some of the more important ones of any character besides Derek and Danielle Parsons.

There have been lots of jobs popping up on media job search canada so I'm remaining optimistic about finding a full-time position in a reputable production company. Keep your fingers crossed for me!

Winter's approaching fast and I'm living in denial. It's hard to face the fact that it's just going to get colder and darker from here on out. Here's looking forward to March. I hope you're all having a great week, and I'll be talking to you all soon!