Dustin Versus Episode Three

I return to you with Episode 3 ‘401’ complete!

That’s the big news for today, but since it’s been some time since the last entry I think there are a few things that I should talk about.

I’ve learned a few things this past week. I’ll start with deadlines.

At the end of April, I had initially set a deadline of May 15th for ‘401’ to be completed. That didn’t come anywhere close to happening. It wasn’t due to laziness or a lack of inspiration – I had just found myself committed to too many other things. Volunteering, working, trying to maintain some sense of a social life. I didn’t have a lot of time left to exclusively write.

I believe it’s been eleven days and twenty-two pages since the last entry. Most of the writing was done over three days, today being the most beautiful of them and thus a lot of it got done outside.

The writing process went smoothly for pages 22-36. The words and actions of these characters fell off my hands and onto the page. 36-42 I had a little bit of trouble wrapping up this specific episode as it dealt with a lot of issues.

I had initially decided that Dana Steele was to remain an adversary until the season finale where she assists Derek escaping from the law. The way things worked out, Dana ended up helping Derek remain one step ahead by the end of Episode 3.

One of the other things I learned this past week was about the relationship and communication issues between the director and videographers. I’ve mentioned the ongoing difficulty I’ve had dealing with ‘DAYTIME’ director, D.M. This past week I reached a point where I couldn't feel comfortable with the director any longer and it wasn't worth souring my day every morning to meet the demands of a very difficult woman.

As a communications student, I obviously studied the act of communicating. I could go on for a while about Locke, Payne, Chomsky or whomever but I think the general message I walked out of that area of study with was that a good vocabulary is essential to good communication. An understanding of the terms and cues in the industry that are known by both camera crew and production team is essential to effective communication.

So what did I LEARN? To communicate EFFECTIVELY. To use the best words possible to describe the exact motion, speed and angle of the shot wanted in the calmest and most reasonable voice possible. You may think it’s simple, but believe it or not, some directors think that yelling louder will actually increase your ability to read their mind. I luckily no longer have to deal with any directors of that sort.

I did a casting call this past weekend for the Rogers TV program “IT’S ELEMENTARY” produced by T.L.. T. was great to work with and definitely provided excellent input into the personality and behavior expected to be projected towards the public. Working with T. was a great experience and though the audition was for a younger part, I think it was absolutely worth my time.

So many things I do at Rogers seem so simple, but just being able to do them is a great experience and such an eye-opener. The more I learn there, the more I’m excited about proposing a show to produce while SOUNDTRACK goes through development.

Episode 3 is still tabled for a July 18th or July 24th reading, so I’ll be working on the second draft of that episode (i’m already halfway done the second draft) and preparing a facebook event guestlist. Hopefully everyone can make it out, as the last two have been absolutely great experiences for both the project and just having a great time.

It’s dinner time and I’m still in my pyjammas, so enjoy the rest of your Sunday, wish your fathers a happy father’s day, and have a great afternoon!